That interests me exactly. The way "make music from nothing" to play and to interpret a literary conception are two starting points, like north and south for me. I mean "adapt to the music on the go" always more or less was with Coleman, now with pro verb trio is representation of literary-symbolic motive no longer strongly in the foreground. I like it with Coleman's Music that ever more are through ears than through understanding, at least for me. My question would be, how Steve development sees its music whether the conception plays itself over way as he changed and how?
Sorry, if this topic were already times discussed.
(or someone else),
I become very grateful, if you could give me some stuff over this topic.